![]() Game faster and more efficiently with the amazing Macro Recorder feature of BlueStacks. Simply use the straightforward drag-and-drop interface to design the optimum control layout for you. While they’re twiddling their fingers on a clumsy touch screen, you may be giving orders and carrying out sophisticated activities with the speed and accuracy of your mouse, keyboard, or gamepad. Get the most out of your favorite Android games and apps with BlueStacks!ĭo you want to outperform your competitors? With BlueStacks’ Advanced Keymapping tool, you can utterly destroy them. With BlueStacks, you can experience the best of Android gaming on your computer, without any of the limitations of a mobile device. This powerful app player allows you to tap into the processing power of your computer to get unparalleled performance in even the most demanding mobile apps. It’s one big distinguishing factor may end up being what can only be described as the single most random soundtrack in recent memory.Play the latest Android games and apps on your computer with BlueStacks. BlackBerry doesn’t add much to the discussion as to why such stories might be percolating into our collective consciousness, nor why such narratives might be taking on an extra layer of meaning right now it feels content to fashion this unlikely ascension of the Great Canadian Smart Phone That Could as a superhero origin story yet doesn’t know what, if anything, it wants to say about this phenomenon past that. Jay Baruchel (far left) and Matt Johnson (center) in ‘BlackBerry.’ĭrawing from Jacquie McNish and Sean Silcoff’s book Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry, the movie covers the familiar ground of Big Tech’s late ‘90s/early ‘00s gold-rush mentality, as well as syncing up with a number of other recent films - notably Air and Tetris - that combine millennial nostalgia, niche markets that cause mainstream cultural upheavals, and revenge of the nerds. And once he’s fired from his day job, Balsillie talks his way into becoming R.I.M.’s co-CEO, invades the nerds’ safe space, and starts screaming at folks to Get. He can’t take these guys seriously, yet this corporate shark can still smell the faint whiff of blood in the water in terms of the concept. But Lazaridis has been developing this idea for a phone that allows you to send and receive email, which is how they end up in Balsillie’s office, pitching the idea for their game-changing “PocketLink” device. is deeply in debt, and the office is little more than a beta-male frat house. A cybersecurity software company based in Waterloo, Ontario - feel free to savor the city’s name, given how this story ends the film certainly does - R.I.M. It’s taking a film that’s all thumbs and providing a much-needed jolt via a well-placed middle finger.Ībout the less-than-dynamic duo that rounds out this unholy corporate trinity: They’re Mike Lazaridis ( Jay Baruchel) and Douglas Fregin (cowriter-director Matt Johnson), longtime friends and co-founders of Research in Motion. Yet the performance isn’t just propping everything up. That the actor is providing this tech-product biopic with a center of gravity is almost by default, given how the film is a lot like its other two main characters: jittery, thirsty, somehow both too unsure and too blustery in all the wrong places. The man is explosive even when he’s silently standing still. ego to get things done and burn things down. But the real difference between this gent and the other morally dodgy guys filling his IMDb page is how Howerton is tapping into a specific white-collar volatility - that kind that drives a specific type of M.B.A. Beautiful, sputtering, spittle-flying fury.ĭon’t let the bald-pated look distract you: Howerton may have shaved his head to look more like Jim Balsillie, the business executive who helped turn the idea for an all-in-one mobile device into a reality, and then the first shot fired in a revolution. Pure, 100-percent uncut short-fuse anger. ![]() But Howerton brings something to BlackBerry, the scrappy Canadian indie about a scrappy Canadian company that changed the world, that goes above and beyond his usual lovable sociopath act. (See: Every single episode of It’s Always Sunny in Philadelphia Howerton is in.) Nor is it off-brand for the writer-actor-producer to take on a role in which he radiates that he’s better than the idiots and saps and suckers surrounding him, as fans of the late, great sitcom A.P. It’s not like the It’s Always Sunny in Philadelphia co-creator hasn’t previously played someone who acts horrifically yet still keeps you on his side. Never, ever underestimate the power of a glowering, growling Glenn Howerton.
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